Coloratura soprano and bass profundo. Basic singing voices | Art

Here is the most comprehensive list of words on the Internet that can be used to describe a voice. The list is divided into 2 parts:

The first part contains words that are adjectives (as part of speech in Russian).
The second part contains words that are various parts of speech (except for adjectives).

The words are arranged by the initial letter of the alphabet. You will find complimentary words (if necessary) in a separate collection. Listing notes are at the end of the page.

Soprano

The highest female voice, usually the first and second octaves are subject to it. Moreover, the second one is often not completely. There are different sopranos: there is coloratura (bearers of such a voice easily make complex passages in the entire second octave and even reach the middle of the third), dramatic (a dense, heavy voice that easily takes notes up to the middle of the second octave), lyrical (soft, soulful, tender , silver on high notes).

Parts for soprano are among the most common. The main heroines of the operas are young girls and young women with certain life experiences. The most striking examples: the role of Tatiana from P. I. Tchaikovsky’s opera “Eugene Onegin” (lyrical), The Snow Maiden from Rimsky-Korsakov’s opera of the same name (coloratura), Lisa from Tchaikovsky’s “The Queen of Spades” (dramatic).

One of the best soprano singers in the world is Anna Netrebko.

The Snow Maiden’s aria “Walking for berries with friends” from the opera by N. A. Rimsky-Korsakov. Performed by Aida Garifullina

Translation of voice

We offer you a translation of the word voice into English, German and French. Implemented using the Yandex.Dictionary service

To English
To German
To French

voice
- voice loud voice - loud voice

vote
— voting

right to vote

part
- participation

Stimme
- low voice - mit leiser Stimme

Ja-Stimme

Vox

Meinung

Organ

voix
- voice, tone counting votes - décompte des voix
gives a voice - donne la parole

vote
— voting

majority of votes

votes cast - suffrages exprimés

voix prépondérante
- casting vote

party
- participation

opinion
- opinion

organe
- representative

coffre
- box

Mezzo-soprano

A beautiful velvety, rich voice. The operating range is from the middle of the small octave to the middle of the second (of course, not in all cases).

Article on the topic

"Sorrow brings wisdom." Memories of Elena Obraztsova Singers with such a voice often perform parts for contralto and can also replace soprano. The parts for mezzo-soprano are passionate, rich, and sometimes somewhat ponderous, which in no way detracts from their beauty. Mezzo is divided into three subtypes, like soprano: coloratura, lyric and dramatic.

Famous roles: Amneris in “Aida” by G. Verdi, Carmen in Bizet’s opera, Marina Mnishek from “Boris Godunov” by M. P. Mussorgsky.

One of the most striking Russian examples of mezzo-soprano is Elena Obraztsova , who for many years was the prima singer of the Bolshoi Theater.

Habanera from the opera “Carmen” by J. Bizet. Performed by Svetlana Lanskaya

Declension of the noun voice

Case	Question	Unit	Mn. number
Nominative	(who what?)	voice	vote
Genitive	(who, what?)	vote	votes
Dative	(to whom; to what?)	voice	voices
Accusative	(who, what?)	voice	vote
Instrumental	(by whom, what?)	voice	voices
Prepositional	(About who about what?)	voice	voices

Contralto

The rarest and deepest female voice. Unfortunately, even in large theaters there is not always a contralto singer. Such singers work in a low chest register, in the range from F of the small octave to the first notes of the second octave. It is the low notes that are most beautiful when performed by a contralto; the upper ones sound short and tense. In operas, the parts of boys and young men are often written for contralto. For example, Orpheus from the opera “Orpheus and Eurydice” by K. V. Gluck, Lel from “The Snow Maiden” by N. A. Rimsky-Korsakov, but there are also female characters, of course: Olga from “Eugene Onegin” by P. I. Tchaikovsky.

Unfortunately, contralto singers are rare and not very well known. But as an example, we can recall the voices of pop singers: Tina Turner, Sofia Rotaru, Edita Piekha.

Olga's scene and aria from the opera “Eugene Onegin” by P. I. Tchaikovsky. Performed by Tamara Sinyavskaya

Male voices

Is it possible to change the timbre

Voice timbre is not genetically determined, and therefore can be corrected during lessons with a vocal specialist. The anatomical qualities of the ligaments (these are folds in the area of the sound-producing center) cannot be conservatively changed by a person, since they are formed anatomically from the moment the genetic qualities are formed. For this purpose, there are special surgical operations during which defects that have arisen are corrected.

Between the vocal cords there is a gap, which is also involved in the formation of the voice, speech tone and timbre.

The origin of sound begins in the larynx, but the final formation and giving it timbre occurs in the resonator cavities (oral, nasal, throat). Therefore, various adjustments to the position and tension of certain muscles of the speech apparatus can also affect timbre.

Countertenor

A very rare voice. The highest of male operatic voices, ranging from the beginning of the small octave to (sometimes) the end of the second. The art of such singing was revived in the middle of the 20th century. And as a rule, countertenor singers perform parts written for castrati singers in the Baroque era (boys were subjected to castration surgery before their voices broke and they reached puberty, due to which their voices remained high, and they performed female parts in operas, and initially in sacred works, in choirs).

Examples of such roles can be cited both from baroque and modern opera; now the countertenor is becoming more and more popular, although it has not yet lost its exoticism, which shocks the audience. You can listen to Handel’s opera “Julius Caesar,” where the title role is written for a countertenor, or you can listen to the opera “Zurich 1916” by Christopher Butterfield, where V. I. Lenin sings as a countertenor.

What affects the sound

Smoking can cause your speech tone to become several tones lower.
Lack of sleep and poor nutrition. Also, the mood, regardless of good or bad, affects the timbre.
Colds. During this period, the sound becomes low and dull, and in some cases hoarseness appears. But at the moment of recovery, the sound returns to the standard sound.
The moment of a person growing up. During adolescence, the sound becomes rougher; this process cannot be changed.
Problems with posture cause the inability to fully expand the chest. The sound comes out quietly and colorlessly.
Stressful situation. During this period of time, the voice noticeably begins to tremble, squeals and rudeness are heard.

So the types of timbres became known. What can you say about the types of people's voices? Share your information in the comments.

Tenor

Male high singing voice. Its range is from the beginning of the minor to the beginning of the second octave. The ability to play the top notes is especially valued. If the highs are weak, then such a tenor is unlikely to become a famous soloist. Like female voices, like sopranos, tenors are divided into lyric and dramatic voices. There is also an altino tenor, which is distinguished by particularly high and sonorous notes.

There are a lot of famous and beautiful tenors. For example, Luciano Pavarotti (lyric tenor) or Placido Domingo (lyric-dramatic tenor).

A lot of parts have been written for tenors. Often the main character in Italian operas sings as a tenor. The Duke in Verdi's opera "Rigoletto", Faust in Gounod's opera of the same name, from the Russians: Lensky in "Eugene Onegin", Don Juan in Dargomyzhsky's "The Stone Guest".

The Duke's song from G. Verdi's opera “Rigoletto”. Performed by Alexander Bogdanov

Baritone

Average male voice, range from A major octave to the middle of the first octave. This voice is strong, rich, velvety, it can be softer and more mobile, it can be close to a tenor, in which case it is called a tenor-baritone. If a baritone is stronger on low notes, but has fairly free upper notes, then it is more of a bass-baritone. Like other voices, there are also lyrical and dramatic varieties of this voice.

Perhaps the most famous baritone in the world is Dmitry Hvorostovsky , in Moscow it makes sense to listen to Vasily Ladyuk from the New Opera.

There are a lot of parts for baritone; composers often entrust them with the most important characters in the work. For example, Mozart’s Don Juan, Mizgir in The Snow Maiden, and Tchaikovsky’s Mazepa were written for baritone.

Aria of Georges Germont from the opera La Traviata by G. Verdi, performed by Vasily Ladyuk

Connection with other words

Words containing -voice-:

voicelessness
polyphony
echo
echo
loud-voiced
polyphonic
polyphonic
subvocal
sweet-voiced
four-voice
one-voice

Words starting with voice-:

vociferous
vocal
unfounded
voted
vote
voice
little voice
voicing
voting

Words ending with -voice:

pseudovoice
radio voice

Hypo-hyperonymic relationships

phenomenon sound voice cry exclamation call

What is the voice like (adjectives)?

Selection of adjectives for words based on the Russian language.

female male familiar internal quiet loud low hoarse other own calm muffled sharp unfamiliar pleasant mocking sonorous full soft rough quiet human excited weak creaky hoarse cheerful high childish melodic powerful deep gentle girlish excited shrill sonorous old man new trembling insinuating loud angry young deaf dissatisfied metallic audible confident smooth irritated alarmed cold mechanical different second strong frightened affectionate sleepy cheerful first thin velvet

What can a voice do? What can you do with voice (verbs)?

Selection of verbs for words based on the Russian language.

sound say ask sound answer speak tremble tremble belong seem sound inform break continue respond speak make shout tremble inquire exclaim order whisper speak hear announce resound repeat add scream ask inquire declare interrupt seem heard mutter call become prompt stay continue notice ring shout fall change turn quiet shout out break off appear to be heard yell remind ask again interrupt interrupt break ring pronounce give out answer fall silent say

Associations to the word “voice”

tube whisper back door darkness friend head frame phone crowd depth earphone speaker speaker corridor hall side ear choice wall loudspeaker room kitchen past radio sky street shout advice loudspeaker place voice window corner protection living room stairs use moment threshold answer answering machine hall hallway end labor house accent night woman film theme ceiling office walkie-talkie megaphone choir bedroom girl shadow solution entrance background intercom

Anagrams of voice

logo

Synonyms for voice

chord bleating squeal squealing boom ringing sound intonation art knee knee concert scream melody mooing chant singing squeak neigh roulade growl trill noise roar squeal

Hypernyms for voice

sound

Hyponyms for voice

cry baritone tenor soprano
bass choir grunt

Scope of use of the word voice

General vocabulary Legal term Diplomatic term Music Business vocabulary

Bass

Low, deep, strong, bewitching voice. The range can range from E-F of the major octave to F-sharp of the first octave. Bass varies both in pitch and timbre. There is a high bass cantanto, and the lowest bass is profundo; it can be used in choirs even up to the counteroctave. In terms of timbre, along with the deep profundo bass, comic bass and bass buffo are also distinguished.

Article on the topic

Fyodor Chaliapin: little-known facts and milestones of creativity The most famous bass in the world is
Fyodor Chaliapin . Evgeny Nesterenko , who, unfortunately, does not sing on stage now,
has also become widely famous The bass is an extremely expressive and rich voice; unfortunately, there are not many singers, as well as parts. The roles of Bartolo in “The Barber of Seville” by Rossini, Kochubey from “Mazepa” by Tchaikovsky, and Ruslan in M. Glinka’s opera “Ruslan and Lyudmila” were written for bass

Mephistopheles' aria from the opera "Faust" by Charles Gounod, performed by Fyodor Chaliapin

Master list (adjectives)

A

abstract (not specific, speculative)
august (bookish, i.e. – belonging to an august person)
automatic (uncomplicated, i.e., self-acting, based on the use of automation)
authoritarian (colloquial)
authoritative (for example: when voting for the division of the company, the voice of the chairman of the board of directors was more significant than others)
author's
aggressive (colloquial)
adaptive (colloquial, i.e., capable of adapting)
adequate (colloquial)
hellish (slang)
acting
alcoholic (colloquial)
alternative
amorous (colloquial)
similar
angelic
abnormal (abnormally loud, fierce, ringing, etc.)
antipathetic
apocalyptic (slang, colloquial)
aristocratic
authentic
autistic (colloquial term among autism specialists)

B

womanish
womanish
grandma's
bazaar (colloquial)
crappy (slang)
banal
gangster
baritone/baritone (i.e. characteristic of a baritone)
lordly (bookish)
velvety
velvet
bass
deep-voiced
poor (prof., colloquial, opposite to rich, i.e. characterized by a small number of overtones)
boundless (lyrical, poetic)
defect-free
bottomless (colloquial, i.e. extremely deep)
soulless
lifeless
carefree
faceless
serene (lyrical, poetic)
hopeless (bookish)
ugly
indifferent
immaculate
irreproachable
indifferent
taking care of (heart) (book)
infuriating (slang, i.e. annoying)
endless
boundless (poetic)
demonic (bookish)
unpromising (for something, for example: for singing, for a choir, etc.)
careless
ethereal
unmatched
restless (poetic)
helpless (principal)
boundless
win-win
immortal (poetic)
impassive
priceless
colorless (devoid of emotion)
well-accepted
harmonious
noble
blessed
blissful
beneficial
criminal (colloquial)
vomitous (slang, i.e. disgusting, causing rejection)
pale (colloquial, i.e. – inexpressive, inconspicuous)
faded (same as pale - see above)
close
brilliant (i.e. exceptional in its positive qualities)
rich (filled with shades, juicy)
heroic (bookish)
godless
godly
ungodly
cheerful
invigorating
divine
God's
lively
painful (colloquial)
painkiller (colloquial, poetic)
brutal
everyday
exciting
drunk (slang, i.e., referring to a drunk person)

IN

variable (colloquial)
inspired
witchy/witchy
polite
ubiquitous
great
fabulous
stately
majestic
funny
eternal (i.e., sounding for centuries, becoming a classic, etc.)
adult
shrill
guilty
virtual (colloquial)
masterly
insinuating
tasty (colloquial, i.e. - liked, like some dish)
domineering
extraterrestrial (bookish, poetic)
internal (this is what they call intuition)
coveted (i.e. long-awaited, passionately awaited)
airy (professional colloquial, so they say when the voice has flight - an important technical property of sound)
mature
age
exciting
exciting
magic
wolf (book, used in fairy tales)
free
grumpy
enthusiastic
amazing
impressive
hostile
enemy/enemy
congenital
well-known
almighty (poetic)
all-conquering
all-pervasive
omnipotent
second-rate (colloquial)
secondary (for example: in the choir, i.e. – echo)
vulgar (colloquial)
outstanding
fictional (not existing in reality)
hardy
expressive
viscous (same as viscous)
lethargic

G

nasty/disgusting
harmonious
brilliant
gender-neutral (this has already been created by sound engineers)
disastrous (poetic)
flexible (i.e., mobile, capable of quickly and easily moving from one height to another at the will of the speaker)
hypnotic
chief (in choir)
deep (colloquial, so called voice of the subconscious)
deep (sounding)
mocking
dull (i.e. dull-sounding)
angry (angry sounding)
depressing
nasal
vile
suitable (for something, for example - for singing)
dizzy
proud (lyrical, poetic)
proud
guttural
grandiose
coffin (colloquial)
formidable
loud
thunderous
rude, rude
chest
sad
destructive (for something: for hearing, for mood, etc.)
beep-like (prof., colloquial, i.e. – devoid of vibrato)
echoing
nasal (same as nasal)

D

far
given (by nature, god)
maiden
girly/girly
grandfather's (belonging to grandfather)
made (colloquial, i.e. – unnatural-sounding)
businesslike (busy-sounding)
demonic (bookish)
depressive
wooden (slang, i.e. - unemotional)
shitty (expletive, normative vocabulary)
destructive (colloquial)
children's
defective
marvelous
wild (colloquial)
outlandish
uncomfortable (for hearing)
Kind
friendly
pleased
bothersome
long-awaited
expensive (not in price, but in its meaning to someone)
worthy (of applause, for example)
daughter's (daughter's)
precious
dramatic
ancient (bookish, poetic, for example: “the ancient voice of instinct sounded deep inside”)
friendly (colloquial)
friendly (belonging to a friend)
cheesy
understudy (belonging to the understudy)
stupid (slang, colloquial)
bad
soulful
heartbreaking
diabolical (bookish)
deaconial (belonging to a deacon)
uncle/uncle (belonging to uncle)

E

the only one (of its kind, on stage, in the theater, etc.)
caustic (colloquial, i.e. – irritating)
unctuous
malicious (colloquial)

AND

pathetic
plaintive
compassionate
burning (lyrical, poetic)
desired (bookish, poetic)
cutesy
female
hard (colloquial)
cheerful
redneck (slang, colloquial)
creepy/creepy

Z

funny
caring
forgotten
enviable
mysterious
pensive
sincere
inviting
voice-over (commentary accompanying the on-screen action on behalf of the author of the story, one of its heroes, or third-party observers)
seasoned (in vocal lessons) (colloquial)
tempting
perceptible
wonderful
boring
sleepy (same as - sleepy) (simple)
ordinary
star (becoming a “star”, achieving star status on stage or promising this status to its owner)
animal
brutal (colloquial)
voiced
sonorous
earthly (lyrical, poetic)
wicked
spiteful
sinister
ill-fated
gloating (colloquial, i.e. – imbued with, filled with gloating)
unfortunate
serpentine (belonging to a snake)
iconic
familiar
famous
noble (colloquial)
significant (for a choir, for a theater, for a stage, for a team, for voting by the board of directors of an enterprise, etc.)
sultry (poetic)
golden (poetic, i.e. precious)
mature
stentorian

AND

playful
ideal (for something, for example: for performing an aria)
identical
idiotic (colloquial)
Jesuit (bookish, used for the inner voice, as a synonym for the words “cunning”, “cunning”)
chosen one
volatile
exhausted
exhausted
amazing
eminent (poetic, i.e. – belonging to an eminent/famous/revered performer)
indifferent (indifferent, expressing nothing)
foreign (bookish)
alien (lyrical, poetic)
intense (voice intensity is measured by instruments and determined by sound energy)
interesting (colloquial)
intriguing
infantile (colloquial, i.e. immature)
exceptional (in beauty, volume, sonority, depth, etc.)
sincere
sparkling (poetic, i.e. – sonorous, iridescent, ringing)
tempting/tempting (poetic, bookish)
artificial
wasted (colloquial, simple, i.e., changed due to the alcoholism of its owner)
frightened
hysterical
heart-rending

TO

apparent
Cossack (belonging to a Cossack, Cossacks)
high (slang)
stone (poetic, bookish, i.e. – dead, inanimate, unemotional)
capricious
cartoonish (colloquial)
catastrophic (colloquial, i.e. – terrible, unsuitable for something)
cinematic (colloquial, slang, the way they speak not in life, but on the screen)
sour (slang, i.e. – unpleasant, silent, evoking melancholy/boredom)
cool (colloquial)
cool (slang, i.e. – beautiful, good)
clown (belonging to a clown)
insidious
male (slang)
goatlike (belonging to a goat, the same is said about the human voice when it sounds like a goat’s)
flirtatious (colloquial)
witchcraft
caustic (poetic)
collective (refers to the function of the trade union, this is the expression by the trade union of the will of the workers - its members)
picturesque
colossal
coloratura (musical professional term to denote light, agile and high voices capable of performing coloratura parts)
collective farm (slang)
commander's
command
computer (simple, i.e. created by a computer and/or produced by it)
competitive (eg: able to outperform competing voices in a competition/vocal competition, etc.)
competitive (participating in a competition)
bovine (belonging to a cow)
cosmic (lyrical, poetic)
nightmare (colloquial)
Beautiful
colorful (colloquial, i.e. – rich in shades/tones)
loud
crystal
critical (refers to the one in the head)
gentle
cool (slang, i.e. – cool, causing delight)
winged (lyrical, poetic, i.e., far audible, spreading everywhere)
puppet (colloquial, i.e. – artificial, unnatural, like characters from old animations/cartoons, etc.)

L

affectionate
barking (bookish)
legendary
icy (lyrical, poetic, i.e. cold-sounding, insensitive, unemotional)
chilling (blood, soul) (bookish, poetic)
lazy
jubilant
lyrical/lyrical (i.e. – soft, gentle in timbre. There is a lyric tenor, baritone, etc.)
hypocritical (lyrical, poetic, this is what they say about the inner voice)
extra (for example, when during the voting there were more votes than voting participants)
brittle (occurs as a result of illness, as a result of mutational changes in boys during the growth of the vocal apparatus)
best (for hearing, among others, among similar)
flattering (poetic, bookish)
Darling

M

magnetic
magical (poetic, bookish)
unfamiliar
insignificant (for a choir, theater, singing group, etc.)
not very similar (to any other)
unattractive
unsuitable (for singing, for radio broadcasts, for a specific aria, etc.)
unpleasant
underdeveloped (i.e. weak)
unattractive (colloquial)
little trained
baby (colloquial, i.e. – belonging to a baby)
boyish
alluring
maternal (belonging to the mother)
melodic
mental (the one that sounds in the head, in the brain)
vile/vilest
metaphorical (i.e. – containing a figurative meaning, for example, this is what they say about the voice of God)
mechanical (colloquial, i.e. – produced by a robot, equipment)
dreamy
Cute
merciful (lyrical, poetic)
merciful (bookish)
peaceful
mystical
mythical (this is often the name given to voices that do not exist in reality, and/or those that are “heard” by someone while others are not)
infantile (belonging to a baby)
multifaceted
promising
mighty
modal (professional)
modified (changed using special software/equipment)
young
monotone
powerful
courageous
peasant/peasant (simple, colloquial)
male
soft

N

obsessive (in the head)
bothersome
cracked
annoying
the best (of all listened to, for example)
most beloved
worst (of all heard)
melodious (bookish)
folk (bookish, relevant in voting, politics, etc.)
persistent (bookish, this is what they say about the inner voice, the voice of ancestors, etc.)
real
persistent (simple, colloquial, about an inner voice that haunts you)
saturated (rich/filled with shades)
strained (bookish, poetic)
bossy/bossy (simple, i.e. – belonging to the boss)
unbanal (colloquial)
not hopeless (for example: for use in vocals, for performing something, etc.)
flawed
flawed
heavenly (lyrical, poetic)
discordant
ignoble (bookish)
unprecedented (simple, colloquial)
unimportant (colloquial, i.e. – unimportant sounding)
unknown (lyrical, poetic)
incredible
sad
innocent (colloquial)
imperturbable (colloquial)
unimaginable
unwinnable (compared to others)
unbearable
unbearable (colloquial)
inexpressible
inexpressive
low
inharmonious
inflexible (colloquial prof., i.e. – unable to quickly and easily move from one height to another at the will of the speaker/singer)
quiet
underrated
invalid (to do something)
underdeveloped
insufficient (for something)
unattainable
inaccessible (for others by popularity, depth, height, etc.)
not bad
unnatural
undesirable (in elections, in voting)
unfeminine
gentle
unforgettable
unforgettable
unenviable
indispensable (for choir, for example)
inconspicuous (in general noise)
extraordinary
alien (lyrical, poetic)
unhealthy (colloquial)
imperfect
unknown (to no one)
unimpressive
uninteresting (colloquial)
non-intensive
unspoiled (by smoking, illness, bad habits)
ugly
ridiculous (colloquial, simple)
unloved
tuneless
middle-aged
hated
not real
unnatural (colloquial)
abnormal (colloquial, simple)
unnecessary (for voting, for example)
unusual
immense (poetic)
unusual
extraordinary
indescribable
extraordinary
irresistible
indescribable
intolerable
unique
inimitable
unpopular
unproduced (colloquial, i.e. - this is what they say about an everyday singing voice, unprofessional)
incomprehensible
unsurpassed
unattractive
unusual (for hearing, for example)
unsuitable (for singing, for performing a specific vocal work, etc.)
unacceptable (for example: for voicing cartoon characters)
unpleasant/unpleasant
sad
undeveloped
inaudible (in the sound of water, for example)
unreal (colloquial)
non-native
incessant
inaudible
undignified
incomparable
incomparable (with no other)
awkward
unhappy (colloquial, simple)
unsteady
drunk
uncertain
bad
inhuman
unclean
short
none (jarl, i.e. – bad, in poor condition)
worthless
worthless
new (on stage, for example)
normal
boring (colloquial)
necessary (for something, for example: for dubbing a video)
nanyushkin/nanin (belonging to the nanny)

ABOUT

awesome (slang)
charming (colloquial)
enveloping
charming
deceptive (poetic)
seductive
exemplary
well-known
volumetric (professional)
ordinary
ordinary
sheep (belonging to a sheep)
deafening
coarse
lonely (lyrical, poetic)
lively
preoccupied (colloquial)
naughty (colloquial)
disgusting (to the ear)
optimistic (this is what they say about the voice that sounds in the brain/head when it is encouraging)
oracle (belonging to the oracle)
weakened
special
residual (political, i.e. – related to elections/election campaign: these votes are redistributed between parties)
disgusting/disgusting
remote
great
excellent
frostbitten (slang)
sobering (refers to the inner voice, for example: “the sobering voice of acquired experience/memory”, etc.)
abrupt (colloquial)
lame (slang)
paternal (belonging to the father)
distinct
awesome/awesome (slang)
hoarse
charming
stunning

P

papin (belonging to dad)
parliamentary (book)
parody
lousy (slang)
foul (abusive, colloquial, simple, normative vocabulary)
cloudy (lyrical, poetic)
pretentious (colloquial)
melodious
singing
first (in choir)
first class
first-class (colloquial)
iridescent
sad
pioneer (obsolete, i.e., belonging to a pioneer)
squeaky (colloquial)
whiny
plastic (colloquial prof.)
captivating
flat (professional, opposite to surround, i.e. – sound without timbre coloring)
dense (prof., colloquial)
bad
imperative (bookish)
nasty (colloquial, abusive, nominative vocabulary)
pliable (aka flexible)
fake
underground (colloquial, poetic)
mean/mean (book, about an inner voice, for example: “...a mean little voice inside whispered...”)
authentic
suspicious (colloquial)
teenage (belonging to a teenager)
suitable (for something)
half-forgotten
parrot (slang)
popular
startling
mediocre
funny
amazing
awesome (colloquial)
otherworldly
similar (to someone else)
excellent
preferred (for something)
former
very funny
presidential (belonging to the president)
beautiful
charming
cute
disgusting
lousy (colloquial)
wonderful
attractive
habitual
boring (colloquial, simple)
ghostly (lyrical, poetic)
natural
inherent (to a smoker, a sick person, an opera singer, etc.)
mock
sugary (bookish)
attractive
nice
problematic (for singing) (colloquial)
failed (in competition)
damn
piercing
soulful
drunk (colloquial, simple, i.e. spoiled as a result of drunkenness/alcoholism)
nasty
avian (belonging to a bird)
guiding (lyrical, poetic)
drunk (simple, colloquial, i.e. – belonging to a drunk/intoxicated person)

R

indifferent
glad
robber (belonging to a robber) (book)
annoying
heavenly (poetic)
rolling
beautiful
damned
upset (colloquial)
wonderful
real
childish (belonging to a child/children)
roaring (poetic) (for example: “... the roaring voice of a hurricane ...")
rare
rarest
cutting (hearing)
harsh/harsh
reporter (belonging to a reporter)
timid (colloquial, poetic) (for example: “... timid voice of hope...”)
smooth
native
parental (belonging to parent/parents)
luxurious

WITH

original (colloquial)
satanic (bookish, poetic)
balanced (prof.)
grumpy (colloquial)
ultrahigh
heavy duty
super rare
supernatural
lead (poetic, bookish)
ferocious (colloquial)
free
peculiar
saint (poetic)
sacred (poetic)
squeezed
sexy
sexual
angry
silver (poetic, bookish)
sestritsyn (belonging to sister/sister)
strong/strongest
potent (on hearing, on mood, mental/emotional state, etc.)
hoarse
lonely (bookish, poetic, i.e., lonely and pitiful-sounding)
fairy
bad
creaky
boring (colloquial)
weak, feeble, feeble
nice, nice
sweet (bookish, poetic)
mellifluous
sweet
sugary
funny
stunning (colloquial)
tolerable (for singing, for public speaking, etc.) (colloquial)
canine (belonging to a dog)
own
perfect (i.e. – flawless)
solid (colloquial)
nightingale (belonging to the nightingale)
sleepy (colloquial, simple)
juicy (slang, i.e. - luxurious, thick, rich in tones and shades)
salutary (poetic, lyrical)
specific/specific
asleep (colloquial, simple, i.e., changed as a result of the alcohol addiction of its owner)
calm
steel (book)
senile
old woman's (belonging to an old woman)
strange
scary (bookish)
ugly (jarg., i.e. - one that is customary to laugh at, that is customary to be ashamed of)
superb (mol. slang, i.e. - excellent, excellent)
harsh (colloquial)
happy (colloquial)

T

mysterious
hard (colloquial)
warm (colloquial) (same as soft, enveloping)
tyotkin/tetin (belonging to aunt)
teenage (belonging to a teenager)
quiet
languid
thick (colloquial, simple, i.e. – low, rough, sharp, loud)
thin/thin (colloquial, simple, i.e. – very high, producing subtle sounds, in musical terminology – treble)
sad (lyrical, poetic)
nauseating (mol. slang, i.e. disgusting, disgusting)
tragic (poetic, bookish, for example: “tragic voice of the era...”)
alarming (bookish)
sober (simple, colloquial, i.e. – its owner is not intoxicated)
crackling
touching
difficult to distinguish (among others, for example)
dull (lyrical, poetic)
viscous
heavy (professional colloquial, i.e. – rich, strong, with thick overtones)